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sixbeforelunch
ysabetwordsmithdialecticdreamer. It also fills the "Seas Beneath" square in my 1-6-26 card for the Public Domain Day Bingo fest. This poem has been sponsored by fuzzyred. It belongs to the Kraken and Mercedes threads of the Polychrome Heroics series.
aurumcalendula“When the Administration and Congress rescinded federal funding, our Board faced a profound responsibility: CPB’s final act would be to protect the integrity of the public media system and the democratic values by dissolving, rather than allowing the organization to remain defunded and vulnerable to additional attacks.”
sidereaThe essence of gold was rare, he conquered with his virtue, offered his gifts and fell behind the sun...I am surmising that "Nadiri" means "Of Nadir". Yaybahar is the instrument, the artist is its inventor:
Dedicated to the soul of my dear friend's father, Nadir Oğuz...
The name yaybahar (pronounced /jajba'har/) has Turkish origin. It is a composite of two words: yay means a "string" or a "coiled string" and bahar means the season "spring." According to Gorkem Sen, the name is derived from the idea of a new life or a new beginning. [1]I assume this is the third one of its kind the artist has made.
musesfool
ysabetwordsmith ysabetwordsmith cyphomandrathedarlingoneysabetwordsmithjake67jake. ![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png){kind=small}
scalziwhatever_feed
When you find there to be a lack of magic in your world, make a new one. That’s exactly what author Nicole Glover set out to do when crafting the whimsical world of her newest novel, The Starseekers. Come along in her Big Idea to see how the ordinary can be made just a little more magical.
NICOLE GLOVER:
I always found it a severe disappointment when I realized as a child that I was living in a world where tea pots weren’t enchanted, ravens didn’t linger on fence posts to give me a quest, and that dragons weren’t snoring away in caves. I didn’t need unicorns or griffins as pets and I never had the urge climb a beanstalk, I just wanted a touch more wonder in the world.
So I did the only thing any reasonable person can do: I started writing fantasy.
From riffs on fairy tales, to tales of travelers seeking a library hidden in a desert oasis, to my current series, in my stories I explored what a world could look like with an abundance of magic.
And with each story I found myself most intrigued by the quieter uses of magic.
The spells in my stories warmed boots, provided a bobbing light for the overeager reader trying to read one last chapter, or put up the groceries for a weary shopper. I found joy in writing about enchantments that made tea kettles bubble with daydreams or devising cocktails that made a drinker recall their greatest regrets. The magic in my stories didn’t include epic quests and battles, and if there were curses, they probably had more in common with jinxes and weren’t nearly as difficult to untangle.
Everyday magic, is the word I like to use for it. Such magic is small spells and charms, that are simple enough for anyone to use and often have many different uses. In contrast to Grand magic which are spells that only a few can ever learn because they are dangerous, and just do one thing really well and nothing else.
Magic that’s in the background, in my opinion, is more useful than Grand spells that could remake the world. (After all what’s the use of a sword that’s only good for slaying the Undead Evil Lord, when the rest of the time it’s just there collecting dust in a corner?) Grand magic is clunky and troublesome, and can be like using a blowtorch when a pair of scissors is all that is needed. You ruin everything and don’t accomplish what you needed to do in the first place. It’s also very straight forward as the magic leaves little wiggle for variation or adjustment without catastrophe. And if a writer isn’t careful, duels involving magic can easily devolve into “wizards flinging balls of magical energy at each other.”
Magics with a smaller scale, leaves room for exploration. It can even allow you to be clever and to think hard of how it animates objects, impacts the environment, creates illusions, or even transforms an unruly apprentice into a fox. Most importantly, Everyday magic are the spells and enchantments that everyone can use, instead of magic being restricted to few learned scholars (or even forbidden).
Everyday magic allows a prankster to have fun, a child could get even on the bully, let’s an overworked city employee easily transform a park, and have new parents be assured their baby in snug in their crib.
It’s also the sort of magic perfect for solving mysteries.
The world of The Starseekers, runs on Everyday magic. I filled the pages with magic that creates staircases out of books, enchant inks and cards, brings unexpected utility to a compass, lends protection spells to bracelets, and even store up several useful spells in parasols. There is an air of whimsy to Everyday magic, giving me flexibility to have it suit my needs. Magic seeps into the surroundings, informing how characters move through the world and how they think about their acts. It allows me to consider the magical solutions to get astronauts to the Moon, how a museum may catalogue their collection of magical artifacts, or what laws on wands and broomsticks might arise and if those laws are just or not.
Embracing Everyday magic is what made The Starseekers possible, because making the everyday extraordinary is one of the many things I aim for as a writer and a lover of magic.
The Starseekers: Amazon|Barnes & Noble|Books-a-Million|Bookshop|Powell’s
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