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So for a few years I've had a random three in one huge paperback thing including Beasts, Engine Summer, and Little, Big by John Crowley on the shelf, and I've always meant to read them (in my hilarious failure to read speculative fiction a few years back I went to find a book by him and ended up with The Translator [0]). The last couple of flights I brought the huge paperback with me so that I would read the novels contained therein, and I have thoughts about each of them, so I figured I would blog about it so y'all can read something that's not a tasklist. I'm not planning to reveal any endings or anything, but I will cut-tag for spoilers just in case.
( Beasts: Meh. )
( Engine Summer: Good. )
( Little Big: Brilliant but gross. )
Little, Big got me thinking about how fairyland-as-a-parallel-to-here-accessed-though-an-endless-forest functions as a trope, though, and what it depends on. I don't think it strictly requires that most or all of the characters involved be white, although I've always seen it done that way. (Were all of the characters in The Great Night white? I forget. ^^;;) The Fae can be written many different ways, or maybe not even be there. The forest, though, seems structural; what would it look like to go through desert to get to fairyland? Arctic tundra? Ocean between islands? I suspect that different places grow different kinds of myths but I also wonder about the transposition; I spend time wandering through what feels like endless desert, and I want to know, what sort of Fairlyand would I get to if I walked in one too many circles and didn't come back out at the trailhead? The couple of books I've read like this drew really heavily on First Nations mythology, and that's potentially really interesting (and potentially really exploitative!) but not what I'm thinking of here. Has anyone put the path to Fairyland not in the forest but in the desert, or somewhere else, and seriously explored what that shift would mean? I'm kind of tempted to try, but I'm woefully underread in this genre and don't even really know where to start research.
( footnotes )
( Beasts: Meh. )
( Engine Summer: Good. )
( Little Big: Brilliant but gross. )
Little, Big got me thinking about how fairyland-as-a-parallel-to-here-accessed-though-an-endless-forest functions as a trope, though, and what it depends on. I don't think it strictly requires that most or all of the characters involved be white, although I've always seen it done that way. (Were all of the characters in The Great Night white? I forget. ^^;;) The Fae can be written many different ways, or maybe not even be there. The forest, though, seems structural; what would it look like to go through desert to get to fairyland? Arctic tundra? Ocean between islands? I suspect that different places grow different kinds of myths but I also wonder about the transposition; I spend time wandering through what feels like endless desert, and I want to know, what sort of Fairlyand would I get to if I walked in one too many circles and didn't come back out at the trailhead? The couple of books I've read like this drew really heavily on First Nations mythology, and that's potentially really interesting (and potentially really exploitative!) but not what I'm thinking of here. Has anyone put the path to Fairyland not in the forest but in the desert, or somewhere else, and seriously explored what that shift would mean? I'm kind of tempted to try, but I'm woefully underread in this genre and don't even really know where to start research.
( footnotes )
