a note on recommending this text at this time )

That said: This past weekend I read ally by Madison Scott-Clary [1], and I found it a deeply rewarding experience. ally is a fictionalized memoir in which Scott-Clary grapples with issues of mental health, sexual and asexual identity (there's some excellent writing about aceness in here!), what it means to have a self, how abuse and trauma affect those things, and, excitingly for at least me, how being a hopelessly nerdy furry specifically inflects all of that in really interesting directions. It's a typographical adventure (the whole thing is produced in LaTeX), with the inclusion of sheet music, threaded stories, interlocking footnotes, and subtle but crucial uses of color. (Think House of Leaves, although it's less frenetic, or one of the really good Catgirl Goth Rave invites.) That alone is probably enough enticement for some of y'all, but I am really excited to recommend it for another specific reason: I think it's my favorite plural memoir.
 

and this is why )



"That matters to me more than I expected," said about someone else's life, is my summary of this whole book.

in conclusion maybe read it )

 

 

footnotes )
rax: (Twilight finds this reading interesting!)
So for a few years I've had a random three in one huge paperback thing including Beasts, Engine Summer, and Little, Big by John Crowley on the shelf, and I've always meant to read them (in my hilarious failure to read speculative fiction a few years back I went to find a book by him and ended up with The Translator [0]). The last couple of flights I brought the huge paperback with me so that I would read the novels contained therein, and I have thoughts about each of them, so I figured I would blog about it so y'all can read something that's not a tasklist. I'm not planning to reveal any endings or anything, but I will cut-tag for spoilers just in case.

Beasts: Meh. )
Engine Summer: Good. )

Little Big: Brilliant but gross. )

Little, Big got me thinking about how fairyland-as-a-parallel-to-here-accessed-though-an-endless-forest functions as a trope, though, and what it depends on. I don't think it strictly requires that most or all of the characters involved be white, although I've always seen it done that way. (Were all of the characters in The Great Night white? I forget. ^^;;) The Fae can be written many different ways, or maybe not even be there. The forest, though, seems structural; what would it look like to go through desert to get to fairyland? Arctic tundra? Ocean between islands? I suspect that different places grow different kinds of myths but I also wonder about the transposition; I spend time wandering through what feels like endless desert, and I want to know, what sort of Fairlyand would I get to if I walked in one too many circles and didn't come back out at the trailhead? The couple of books I've read like this drew really heavily on First Nations mythology, and that's potentially really interesting (and potentially really exploitative!) but not what I'm thinking of here. Has anyone put the path to Fairyland not in the forest but in the desert, or somewhere else, and seriously explored what that shift would mean? I'm kind of tempted to try, but I'm woefully underread in this genre and don't even really know where to start research.

footnotes )

December 2022

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